tag:blogger.com,1999:blog-8104908437911552400.post3603602744400170743..comments2024-03-13T10:36:05.451-07:00Comments on The Mighty 1090 KAAY: KAAY Production (From Greg Fadick)http://www.blogger.com/profile/17570209125522920917noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-8104908437911552400.post-59008854290324744012010-04-30T02:33:54.240-07:002010-04-30T02:33:54.240-07:00Many stations used huge RCA and Altec speakers as ...Many stations used huge RCA and Altec speakers as the defacto standard in control room and production rooms. Simple tube type EQs are fantastic. I have a tube type Fisher EQ for my turntable. I used to use it as a master EQ for mono tape production. Fantastic bass and high mid EQ without distortion.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-8104908437911552400.post-33365554577930550922009-07-30T04:05:10.215-07:002009-07-30T04:05:10.215-07:00Greg, that speaker cabinet was an RCA, probably le...Greg, that speaker cabinet was an RCA, probably left over from the days of KTHS--back when stations had potted palms and grand pianos in they elegantly appointed studios. I never did peek at the components, but the main speaker must have been 12 inches, if not 15. The frequency response was pretty good, too. Otherwise, Phil would have gone on one of his Crusades Of Agitation and wouldn't have let up until the sound suited those Dog Ears of his!<br /><br />Let the record reflect that whatever production skills I may have, Phil North taught them to me.<br /><br />dbtAnonymousnoreply@blogger.com